Fr. Mobilio penned a series started in Spring 2022 featured in the weekly bulletin explaining what is done at the Altar and why (started at the bottom of this page). He hopes this leads to a deeper understanding and intamacy with The Mass.
The General Instruction of the Roman Missal says that “on certain days and occasions” the final blessing is “enriched and expressed in the Prayer over the People or another more solemn formula.” This describes the prayers known as the “Solemn Blessings” or the “Prayers over the People.” These prayers are “solemn” because they have a tripartite structure—three invocations of God’s blessing according to the theme or focus of the particular feast or liturgical season, followed by the solemn formula of the blessing: “And may the blessing of almighty God, the Father, and the Son, and the Holy Spirit, come down on you and remain with you forever.”
These are “prayers over the people” because the priest extends his hands over the people as he prays, and the people’s heads are bowed in a sign of the necessary humility to receive the blessing and make it fruitful. This style of blessing dates back to at least the third century, and a text exists from the eighth century with the deacon’s specific instruction, “Bow down for the blessing.” These blessings are most traditional during Lent, and a unique oration over the people is provided for every day of the Lenten season in the Missal.
- Fr. Derek Mobilio
Another question came in from a parishioner this week: "I noticed that some people kneel after Communion until the priest sits down. Others kneel until the tabernacle is closed. A few kneel until the priest says, 'Let us pray.' What is the right thing to do?" The General Instruction of the Roman Missal says: "[The people] may sit or kneel while the period of sacred silence after Communion is observed." Perhaps the more important part of this instruction is that "sacred silence" be observed. That is, the communicant should be in a posture that promotes interior silence to match the desired exterior silence after Communion.
For some, that means kneeling the whole time. For others, that means sitting. Again, the Church does not impose a uniform demand upon the faithful, but rather, she desires that the most sacred time right after having consumed the Lord of Lords be observed in reverence and love. In fact, if everyone insisted on going from kneeling to sitting at the exact same moment, we could reasonably argue that this obligation to change postures would become an interruption to prayer, rather than a means to improving it.
- Fr. Derek Mobilio
After our last two notes on the distinction between the profound bow and the head bow, one parishioner asked, “Which bow is appropriate for the communicant to approach Holy Communion?” The General Instruction of the Roman Missal says, “When receiving Holy Communion, the communicant bows his or her head before the Sacrament as a gesture of reverence and receives the Body of the Lord from the minister.“
However, the General Instruction also says that while “the norm for reception of Holy Communion in the dioceses of the United States is standing, communicants should not be denied Holy Communion because they kneel.” This implies that the head bow is not strictly necessary if some greater act of reverence is shown, such as kneeling or genuflecting. Rather, it is most important to show reverence for the Blessed Sacrament, and to receive Our Lord with both mediate preparation (pious posture) and remote preparation (being in a state of grace).
- Fr. Derek Mobilio
To differentiate from head bows, the General Instruction of the Roman Missal states, “A bow of the body, that is to say a profound bow, is made to the altar; during the prayers Munda cor meum (Cleanse my heart) and In spiritu humilitatis (With humble spirit); in the Creed at the words Et incarnatus est; in the Roman Canon at the words Supplices te rogamusn (In humble prayer we ask you, almighty God...) The same kind of bow is made by the deacon when he asks for a blessing before the proclamation of the Gospel.” This gesture repeatedly expresses the humility with which we must approach the sacred mysteries of our faith in divine worship. It ought to be, please God, a humility inspired by and founded upon the humility of Christ, who humbled Himself to share in our humanity, so that we might become sharers in His divinity.
- Fr. Derek Mobilio
The General Instruction of the Roman Missal says, “A bow of the head is made when the three Divine Persons are named together and at the names of Jesus, of the Blessed Virgin Mary, and of the Saint in whose honor Mass is being celebrated.” This gesture is expected of the priest-celebrant, and of deacons or lectors proclaiming the readings for the Mass. The head bow is also appropriate for any person present, in accordance with Saint Paul’s Letter to the Philippians 2:9-10: “God greatly exalted him and bestowed on him the name that is above every other name, that at the name of Jesus every knee should bend ... and every tongue confess that Jesus Christ is Lord ....”
The Second Council of Lyons, convened in 1274 by Pope Gregory said, “Each should fulfill in himself that which is written for all: that at the name of Jesus every knee should bow...Especially during the sacred mysteries of the Mass, everyone should bow the knees of his heart, which he can do even by a bow of his head.”
- Fr. Derek Mobilio
The General Instruction of the Roman Missal states, “Sacred vessels should be made from precious metal,” such as gold or silver. The Instruction continues, “If sacred vessels are made from metal that rusts or from a metal less precious than gold, they should be gilded on the inside.” The 2005 instruction Redemptionis Sacramentum is more specific in its restrictions: “Reprobated is any practice of using for the celebration of Mass common vessels, or others lacking in quality, or devoid of all artistic merit or which are mere containers, as also other vessels made from glass, earthenware, clay, or other materials that break easily.”
Since antiquity, the Church has desired always to offer her best to God. In the year 303, during Diocletian’s final persecution of Christians, Roman officials visited the church of Cirta in present-day Algeria and made the following inventory: “Two gold chalices, six silver chalices, six silver urns, a silver cooking-pot, seven silver lamps, two wafer-holders, seven short bronze candle-sticks with their own lights, eleven bronze lamps... “ If these Christians used these precious vessels for secret Masses during times of persecution, then we should still offer God our best in these better times.
- Fr. Derek Mobilio
The altar bells rung at the epiclesis and at the elevations of the Body and Blood of Christ during the Eucharistic Prayers serve as a sign of joy and as a call to heightened awareness of the great mysteries unfolding in the Mass. Some claim that external actions of the Mass such as the use of bells or incense are simply relics of a different time, which only served the purpose of spoon feeding the liturgical action to a congregation who could not understand Latin or who was otherwise ignorant about the Mass.
Against this idea, let us consider this commentary from Dr. Peter Kwasniewski: “If we believe that the Holy Sacrifice of the Mass is the sacramental re-presentation of the sacrifice of Calvary, it makes sense to surround with special signs of attention and adoration the most solemn moment when Christ becomes really, truly, substantially present as the Lamb of God who takes away the sins of the world. You could think of the bells as a sort of sonic italics. When tastefully used, we appreciate italics in books; it’s not an indication that we’re illiterate or have poor eyesight.”
- Fr. Derek Mobilio
The first historical evidence we have of a processional cross is from Constantinople in 385. Apparently the Arian heretics had an annoying habit of organizing loud nighttime parades through the streets to stoke the ire of the orthodox believers. So Saint John Chrysostom organized a torchlight procession for the orthodox believers to counter and expel the Arians. Crowds of Christians carried silver crosses with lighted tapers attached as they chanted Christian hymns. Our bearing of the cross at the entrance to the sacred liturgy can be understood in similar terms. We follow and take refuge in the symbol and source of our victory in Christ over those evils which keep us up at night.
- Fr. Derek Mobilio
In the Catechism’s section on the different possible names we use for the Sacrament of the Eucharist, we find a succinct explanation for where the word “Mass” comes from: “[The sacrament is called the] Holy Mass (Missa), because the liturgy in which the mystery of salvation is accomplished concludes with the sending forth (missio) of the faithful, so that they may fulfill God's will in their daily lives.” Hence, the deacon’s instruction is not just a dismissal for the sake of establishing order, but rather, a reminder that our worship of God must go beyond the walls of the church for the salvation of many and for the glory of God in all things.
- Fr. Derek Mobilio
Although this prayer is not included in the current Roman Missal, the Placeat from the Traditional Latin Mass could still be privately recited in mind by the priest during the recessional hymn of the Mass, as a reminder that what he has just done is the most important thing he does every day. The prayer goes:
May the performance of my homage be pleasing to Thee, O holy Trinity: and grant that the Sacrifice which I, though unworthy, have offered up in the sight of Thy Majesty, may be acceptable to Thee, and through Thy mercy, be a propitiation for me, and for all those for whom I have offered it. Through Christ our Lord. Amen.
- Fr. Derek Mobilio
The priest traditionally leans on the edge of the altar with his forearms while saying the words of consecration and during his communion. The gesture is symbolic of the Last Supper, when the Apostles reclined at a low table, presumably with their forearms leaning on its edge according to custom. Keeping in mind that the altar is also a symbol of Christ, this gesture also means that the priest totally relies on the power of Christ to confect and receive the Eucharist, neither of which the priest could accomplish standing on his own.
- Fr. Derek Mobilio
The Roman Missal specifies that at the conclusion of the Mass of Pentecost Sunday, “With Easter time now concluded, the Paschal Candle is extinguished.” The symbolic nature of this act is not as clear as it used to be. The Roman Missal of 1962 specified that the Paschal Candle was to be extinguished after the Gospel of Ascension Thursday.
This signified that the earthly presence of the Risen Lord had ended, and the faithful were to understand the rising smoke from the candle as representative of the Ascension itself. Now, waiting for the end of Pentecost to extinguish the candle helps to demonstrate the continuity of the Easter season, which ends on Pentecost Sunday, fifty days after Easter Sunday. After it is extinguished, “It is desirable to keep the Paschal Candle in the baptistery with due honor so that it is lit at the celebration of baptism and the candles of those baptized are lit from it.”
- Fr. Derek Mobilio
Why are novenas nine days long? Let us take our answer from the Catholic Encyclopedia: “For every novena of preparation, as also for every novena of prayer, not only the best explanation, but also the best model and example was given by Christ Himself to the Church in the first Pentecost novena. He Himself expressly exhorted the Apostles to make this preparation”. And when the young Church had faithfully persevered for nine full days in it, the Holy Spirit came as the precious fruit of this first Christian novena for the feast of the establishment and foundation of the Church.” Although nobody doubts the fruits of so many other novenas we might pray in our private devotional prayer, the Novena to the Holy Spirit is still the only novena officially prescribed by the Church, because it was expressly established by our Lord Himself.
- Fr. Derek Mobilio
The custom of crowning an image of Mary during the month of May take its origin from Sacred Scripture: “A great portent appeared in heaven, a woman clothed with the sun, with the moon under her feet, and on her head a crown of twelve stars.“ (Revelation 12:1). Pope Pius XII explains, “From early times Christians have believed, and not without reason, that she of whom was born the Son of the Most High received privileges of grace above all other beings created by God. He ‘will reign in the house of Jacob forever,’ ‘the Prince of Peace,’ the ‘King of Kings and Lord of Lords.’ And when Christians reflected upon the intimate connection that obtains between a mother and a son, they readily acknowledged the supreme royal dignity of the Mother of God.” By crowning images of Mary in our churches and homes, we do the same, and we not only emphasize the splendor of Our Blessed Mother, but also, we anticipate the riches that await us in Heaven and the graces to be bestowed upon us now through Mary’s royal intercession.
- Fr. Derek Mobilio
We use the term “purification” to refer to the careful washing of the sacred vessels which have held the Body and Blood of Christ during Mass. The term “purification” could be misleading—as if by holding the most precious Eucharistic elements, they could become impure! But the term “purification” in this sense refers to how the vessels must be cleansed so that they can return to the ordinary (the cabinet of the sacristy) after having contained the extraordinary (the Eucharist).
Of course, these vessels never lose their blessing, for they have been set apart for the exact purpose of containing the Blessed Sacrament. Thus, unusable or broken vessels are customarily buried if they cannot be restored. Saint Cyril of Jerusalem emphasizes the importance of the purification: “Have the utmost care that no part of the Eucharistic species be lost. For, tell me, if anyone gave you grains of gold, would you not guard them with the greatest circumspection and be most solicitous that none of them be lost and that you thereby suffered no loss? How much more cautious must you be not to lose a crumb of that which is incomparably more valuable than gold and precious stones.”
- Fr. Derek Mobilio
The rubrics of Roman Missal’s Rite for the Blessing and Sprinkling of Water say, “On Sundays, especially in Easter Time, the blessing and sprinkling of water as a memorial of Baptism may take place from time to time in all churches and chapels... Where the circumstances of the place or the custom of the people suggest that the mixing of salt be preserved in the blessing of water, the Priest may bless salt...”
As the prayer of blessing salt references, the custom of making holy water with blessed salt comes from the Bible. In 2 Kings 2, God “commanded the prophet Elisha to cast salt into water, that impure water might be purified.” Salt therefore is an added instrument of grace to preserve us from the corruption of evil, so that “every attack of the enemy may be repulsed and your Holy Spirit may be present to keep us safe at all times.
- Fr. Derek Mobilio
On Easter, Jesus greeted his disciples, “Peace be with you.” Then, they recognized Him in His glorious Resurrection. In the Mass, shortly after the priest echoes the words of Jesus in saying to the people, “The peace of the Lord be with you always,” he breaks off a small piece of the host and puts it in the chalice with the prayer, “May this mingling of the Body and Blood of our Lord Jesus Christ bring eternal life to us who receive it.”
This commingling is the unification of the Body and Blood of Christ. Thus, at this point in the Mass, we should think of Christ’s Resurrection, when His Body and Blood were reunited with His Soul, such that the Precious Blood which had been separated and poured out from His Body again flowed through His arteries. By His obedience to the Father in His Passion, death, and Resurrection, Christ makes true peace possible for us.
- Fr. Derek Mobilio
At Easter, the Alleluia returns to the sacred liturgy as an expression of joy at the Resurrection of Christ. But what does the word mean? Let us cite the Catholic Encyclopedia: “Allelu-ia ... may be literally rendered, ‘All hail to Him Who is!’—taking ‘All Hail’ as equivalent to ‘Glory in the Highest,’ and taking ‘Who is’ in the sense in which God said to Moses: Thus shalt thou say to the children of Israel; WHO IS hath sent me to you... The data of ancient Jewish and Christian tradition all point to the conclusion that it belonged, as a divinely authorized doxology, to the Hebrew liturgy from the beginning.
As to when it was first formed, there seems much reason for holding that we have in it man's most ancient formula of monotheistic faith—the true believer's primitive Credo, primitive doxology, primitive acclamation. That in part would explain remarkable fondness for its liturgical use. As a rule she so uses it wherever joy, consequently triumph or thanksgiving, is to be emphatically expressed. The very sound of the word should be held to signify a kind of acclamation and a form of ovation which mere grammarians cannot satisfactorily explain; wherefore the translators of the Old Testament have left it untranslated and, in the same way, the Church has taken it into the formulas of her Liturgy.”
- Fr. Derek Mobilio
Before the Easter Vigil, “a blazing fire is prepared in a suitable place outside the church.” This fire, customarily made of dry wood and containing other blessed items such as the holy oils from the previous year, represents Christ's Resurrection. It is most appropriate to represent the Resurrection with light, as historian Warren Carroll reports about Christ’s burial shroud: “The evidence of the Holy Shroud of Turin, analyzed scientifically by modern instruments and methods, suggests that the extraordinary impressions upon its cloth could only have been formed by a brief scorching flash at a level of energy approaching the thermonuclear.”
The priest blesses the fire with these words, “O God, who through your Son bestowed upon the faithful the fire of your glory, sanctify + this new fire, we pray, and grant that, by these paschal celebrations, we may be so inflamed with heavenly desires, that with minds made pure we may attain festivities of unending splendor.”
- Fr. Derek Mobilio
In the passage from Matthew's Gospel before the procession on Palm Sunday, we are told that a “very large crowd spread their cloaks on the road, while others cut branches from the trees and strewed them on the road” as our Lord entered Jerusalem. In addition to this fact of divine revelation, the Catholic Encyclopedia notes, “In pre-Christian times the palm was regarded as a symbol of victory. It was adopted by the early Christians, and became a symbol of the victory of the faithful over the enemies of the soul.” Thus, we receive palms as sacramentals to be kept behind a crucifix, on a prayer altar, or within a Bible. These palms serve as reminders of Jesus's Passion and encourage us to carry the crosses in our own lives, with the confidence that also comes from seeing these palms are also signs of Christ’s victory in which we share.
- Fr. Derek Mobilio
The last two weeks of Lent were formerly known as Passiontide. During this period, crosses and images of the saints may be veiled. The Catholic Encyclopedia explains: “The crosses are veiled because during this time Christ no longer walked openly among the people, but hid himself. Hence in the papal chapel the veiling formerly took place at the words of the Gospel: Jesus autem abscondebat se (John 8:59).
Another reason [for veiling] is that Christ's divinity was hidden when He arrived at the time of His suffering and death. The images of the saints also are covered because it would seem improper for the servants to appear when the Master Himself is hidden.” To this, we may add the more modern reason that in the final two weeks before the great feast of our salvation, we are asked even to fast in our vision, and so to contemplate with greater inward devotion the horrors of our Lord’s Passion. Lastly, we can say that veiling the crosses for two weeks makes the unveiling of the Cross on Good Friday more meaningful.
- Fr. Derek Mobilio
The traditional chant to be sung during the Adoration of the Cross on Good Friday is known as The Reproaches. It has been sung during the Good Friday liturgy since at least the ninth century, even though in most parishes today it is regrettably ignored, (as are most of the ancient traditional chants provided in the Roman Missal.) The text speaks for itself as a chilling statement of the injustice of the Crucifixion.
Our Lord says to us from the Cross: My people, what have I done to you? Or how have I grieved you? Answer me! Because I led you out of the land of Egypt, you have prepared a Cross for your Savior. Because I led you out through the desert forty years and fed you with manna and brought you into a land of plenty, you have prepared a Cross for your Savior. What more should I have done for you and have not done? Indeed, I planted you as my most beautiful chosen vine and you have turned very bitter for me, for in my thirst you gave me vinegar to drink and with a lance you pierced your Savior’s side. The only possible response from us is repeated throughout: Holy and Immortal One, have mercy on us.
- Fr. Derek Mobilio
The Church specifies that the solemn intercessions of Good Friday are to follow the “wording and form handed down by ancient tradition, maintaining the full range of intentions, so as to signify clearly the universal effect of the Passion of Christ, who hung on the Cross for the salvation of the whole world.” The ten intercessions are thus offered in an order which spreads a progressively wider net, recognizing the catholicity of Christ’s sacrifice: we pray for (1) the Church, (2) the pope, (3) the clergy and lay ministers, (4) catechumens, (5) all Christians, (6) the Jews, (7) those who do not believe in Christ, (8) those who do not believe in God, (9) those in public office, and (10) those in tribulation.
The heightened solemnity of the prayers is emphasized by the fact that each prayer is in the form of a Roman collect, and by another ancient tradition: the option to kneel and then stand between the deacon’s introduction and the priest’s prayer.
- Fr. Derek Mobilio
On Good Friday, the Celebration of the Lord’s Passion begins in silence to mark the sorrowful solemnity of the day. The rubrics specify, “The priest and the Deacon ... wearing red vestments as for Mass, go to the altar in silence and ... prostrate themselves and pray in silence for a while.” The Dicastery for Divine Worship’s document on preparation for the Easter Feasts notes that this prostration “signifies both the abasement of earthly man and also the grief and sorrow of the Church.”
We might say that our Lenten exercises are about coming to the ground in humility after having exalted ourselves in so many ways. (The word humility comes from the Latin humus, meaning “earth” or “ground”.) The sight of our crucified Lord should bring us to the lowest place in adoration of Christ, who for our salvation "humbled himself, becoming obedient to death, even death on a cross." (Philippians 2:8)
- Fr. Derek Mobilio
The Mass of the Lord’s Supper on Holy Thursday concludes with a solemn procession with the Blessed Sacrament to an altar of repose, where the faithful are invited to pray in adoration of the Eucharistic Lord. This symbolizes Jesus going to the Garden of Gethsemane to pray after the Last Supper and before His arrest. Here, our Blessed Lord suffered the Agony in the Garden: “He was in such agony and he prayed so fervently that his sweat became like drops of blood falling on the ground.” (Luke 22:44) In the sacred silence of the evening, Christ invites us to share in His sorrow and to console Him by our devoted presence: Remain here, and watch with me.
- Fr. Derek Mobilio
Nota bene: Throughout Lent and in preparation for Holy Week and Easter, this bulletin piece will focus on the liturgies of the Sacred Paschal Triduum. Despite being optional, the Washing of Feet has become a cherished part of the Mass of the Lord’s Supper on Holy Thursday. The Congregation for Divine Worship’s document on preparation for the Easter Feasts notes, “The washing of the feet of chosen men ... represents the service and charity of Christ, who came ‘not to be served, but to serve’.”
While it is true that all Christians are called to serve God and neighbor in charity, this ritual from John’s account of the Last Supper is intrinsically connected to the ordained priesthood, as Holy Thursday is the night when Our Blessed Lord established the Sacraments of the Eucharist and Holy Orders. This is why the rubrics of the Roman Missal insist that chosen men (viri selecti) have their feet washed. A compelling argument can be made that Our Lord’s words recorded in John 13:10 (“Whoever has bathed has no need except to have his feet washed....”) refer to the need to be absolved from post-baptismal sins, thus further establishing the symbolic connection between the washing of feet, the ordained priesthood, and the servile authority to forgive sins.
- Fr. Derek Mobilio
The term Ash Wednesday is found in the earliest known copies of Gregorian Sacramentary, and thus, the practice of distributing ashes devotionally near the beginning of Lent dates to at least the eighth century. There is no doubt that the custom of distributing ashes arose as an imitation of a practice used as a public penance before the Sacrament of Reconciliation was celebrated privately.
For example, in the early third century, Tertullian wrote that a penitent must "live without joy in the roughness of sackcloth and the squalor of ashes." (De Paenitentia, x). This practice was certainly borrowed from Jewish penitential practices, which saw ashes as a sign of mourning. Biblical examples abound: Job 42:6, Lamentations 2:10, Jonah 3:5-9, and Matthew 11:21 are but a few possible citations. The purpose of wearing ashes is well expressed in a verse of the Dies Irae, the great sequence of the requiem Mass: “Before You, humbled, Lord, I lie / my heart like ashes, crushed and dry / assist me when I die.
- Fr. Derek Mobilio
The first page of the Roman Canon (Eucharistic Prayer I) in the Missal should have an illustration of the Crucifixion on the left page and the text of the Canon on the right page. For centuries, these beautiful illustrations would have been visible to the people at every Mass as the priest began the Canon. Regrettably, some modern publishers of missals have replaced the illustration of the Crucifixion with an illustration of the Last Supper or with no illustration at all. Nevertheless, in both Latin and English, the first letter of the Canon is T: (Te igitur, clementissime Pater... To you therefore, most merciful Father...).
Publishers of Roman Missals customarily made this T to be very ornate, as a way to further indicate the solemnity of the Canon and to continue the practice of the richly ornamented Hebrew letter Tau in Hebrew Scripture. In seeing this ornamented T, we are reminded that the Cross, the symbol of our salvation, was foreshadowed in Ezekiel 9:4, when those who lived justly according to the Old Covenant were saved by the symbol on their foreheads: Pass through the city, through the midst of Jerusalem, and mark a Tau on the foreheads of those who grieve and lament over all the abominations practiced within it.
- Fr. Derek Mobilio
Forty days after the Nativity of Our Lord, Mary and Joseph presented Jesus in the Temple, following the ancient prescription of the Law of Moses in Numbers 18:15. Their trip to the Temple was also the occasion of Mary’s purification, following the Law of Moses in Leviticus 12:6-7. Thus, February 2 is known as the Feast of the Presentation of the Lord and as the Feast of the Purification of the Blessed Virgin Mary.
But the day is also known as Candlemas, because it is the day on which the church blesses candles to be used in divine worship throughout the coming year. This custom arises from the testimony of Simeon in the Temple, who, upon seeing the child Jesus, proclaimed Him to be “a light for revelation to the Gentiles.” The faithful are encouraged to take two blessed candles home with them to be used during sick calls or during private prayer. As the prayer of blessing indicates, the meaning of the traditional procession into the church with lit candles to begin the Mass symbolizes our petition “that by treading the path of virtue, we may reach that light which never fails.”
- Fr. Derek Mobilio
“Sursum corda.” “Lift up your hearts.” These words of the preface dialogue seem like they need an exclamation point after them, but that would be inconsistent with the sobriety of the Roman Rite. Saint Thomas Aquinas said that these words are meant “to arouse devotion” among the people in anticipation of the outpouring of supernatural power at the consecration. Benedict XVI preached, “In the early Church there was a custom whereby the Bishop or the priest, after the homily, would cry out to the faithful: Conversi ad Dominumturn now towards the Lord.
This meant that they would turn towards the East, towards the rising sun, the sign of Christ returning, whom we go to meet when we celebrate the Eucharist... Linked with this, then, was Sursum corda—high above all our misguided concerns, desires, anxieties and thoughtlessness—Lift up your hearts, your inner selves! In both exclamations we are summoned to a renewal of our Baptism: Conversi ad Dominum. We must always turn away from false paths, onto which we stray so often in our thoughts and actions... And ever anew we must withdraw our hearts from the force of gravity, which pulls them down, and inwardly we must raise them high in truth and love.”
- Fr. Derek Mobilio
The Offertory of the Mass is concerned with unconsecrated bread and wine, which seems like little to get excited about. The point, however, is not about what those things held up by the priest are now, as much as about what they are to become. The bread “will become for us the Bread of Life,” and the wine will “become our spiritual drink,” as the current offertory prayers say.
And, hopefully, those will not be the only elements changed by the Mass. Msgr. Ronald Knox explains, “What the priest is doing at the altar is separating this particular lump of wheat, this particular dose of wine, for a supernatural destiny. And that, of course, is just what is happening to you and me all the time. Sooner or later we shall die, and that moment of death will be, please God, our Consecration — we shall be changed into something different, be given a spiritual body in place of our natural body, and live praising God among the Saints to all eternity. And that is why the pious books will tell you, at the Offertory, to put yourself in imagination on the paten, between the priest’s hands.”
This time in the Mass can be chaotic and loud, with the weekly collection and with the music playing. But above all, it should be the time for us to offer ourselves and our intentions to God on the paten with the host, in hope of transforming what is natural and mortal into what is supernatural and eternal.
- Fr. Derek Mobilio
Appendix I of the Roman Missal provides a rubric which says, “On the Epiphany of the Lord, after the singing of the Gospel, a deacon, in keeping with the ancient practice of Holy Church, announces from the ambo the moveable feasts of the current year.” Near the conclusion of the Christmas festivities and on Epiphany Day when Christ is revealed to the whole world, this announcement reminds us again of why the Word became flesh and dwelt among us. For this year, the deacon would sing, “Know, dear brethren, that, as we have rejoiced at the Nativity of our Lord Jesus Christ, so by leave of God’s mercy we announce to you also the joy of his Resurrection, who is our Savior. On the 22nd day of February will fall Ash Wednesday, and the beginning of the fast of the most sacred Lenten season. On the 9th day of April, you will celebrate with joy Easter Day, the Paschal feast of our Lord Jesus Christ. On the 18th day of May will be the Ascension of Our Lord Jesus Christ. On the 28th day of May, the feast of Pentecost. On the 11th day of June, the feast of the Most Holy Body and Blood of Christ. On the 3rd day of December, the First Sunday of the Advent of our Lord Jesus Christ, to whom is honor and glory forever and ever. Amen.”
- Fr. Derek Mobilio
Christmas and Easter are celebrated with special vigor for eight days, the octave. The Christian practice of observing high feasts for a full eight days dates back to at least the fourth century. It is unclear whether this custom is adopted from Jewish roots, such as how Jewish boys were circumcised on the eighth day, or if the custom grew organically from Christians' Easter joy spilling over to the following Sunday, especially for the newly baptized at the Easter Vigil. Convincing arguments can be made for both, but for Christmas, the observation of Christ's circumcision provides fine continuity between the Old and the New Covenants.
It is a cause of great sorrow to many, even as it was to Saint Pope Paul VI (who unwittingly abrogated the Octave of Pentecost), that octaves of the Epiphany of the Lord and of Pentecost are no longer observed in the Roman calendar. Still, octaves provide us the opportunity to celebrate and contemplate the great feasts of our redemption more fully, over and against the secular commercialist tendency to move on to the next opportunity for profit. In the Holy Mass, the octave is emphasized with a proper form of the Communicantes in the Roman Canon (the First Eucharistic Prayer) used for all eight days. For the Octave of Christmas, this means that the priest says: "Celebrating the most sacred day on which blessed Mary the immaculate Virgin brought forth the Savior for this world, and in communion with those whose memory we venerate..."
- Fr. Derek Mobilio
The Roman Martyrology is the official catalog of the martyrs of the Roman Church, arranged according to the liturgical calendar. The Martyrology also announces the major feasts of the year as they come up. It is the custom in many religious houses to read or chant the Martyrology in daily communal prayer. To make this custom more accessible to the faithful for the special occasion of Christmas, the announcement of the Nativity of our Lord may be chanted or recited before the beginning of Christmas Mass during the Night. The rubrics explain, “The announcement of the Solemnity of the Nativity of the Lord from the Roman Martyrology draws upon Sacred Scripture to declare in a formal way the birth of Christ. It begins with creation and relates the birth of the Lord to the major events and personages of sacred and secular history. The particular events contained in the announcement help pastorally to situate the birth of Jesus in the context of salvation history.”
- Fr. Derek Mobilio
The priest washes his hands before the Preface is prayed, saying in the low voice, "Wash me, O Lord, of my iniquity and cleanse me from my sin." Saint Thomas Aquinas says that this is done for two reasons (Summa Theologiae III, 83, 5). First, the priest should not dare touch the Eucharist with unclean hands, out of reverence for the Blessed Sacrament. This is a practical matter, as the priest may need to wash off residue of burnt incense or charcoal that may have stuck to his hands from the thurible at the incensation. Second, Saint Thomas notes that before Jesus offered Himself at the Last Supper, he washed the feet of the Apostles to indicate the purity needed for the Holy Sacrifice: "Whoever has bathed has no need except to have his feet washed." (John 13:10).
The hands are substituted for the feet because "this can be done more readily, and suffices for denoting perfect cleansing, for... all works are attributed to the hands." This is consistent with the ancient Hebrew meaning of hand washing as an indication of interior purification, as we see in Exodus 30:17-20: "The LORD told Moses: For ablutions you shall make a bronze basin with a bronze stand. Place it between the tent of meeting and the altar, and put water in it. Aaron and his sons shall use it in washing their hands and feet. When they are about to enter the tent of meeting, they must wash with water, lest they die."
- Fr. Mobilio
Today the Church enters the second half of Advent, and as a quick reprieve from the penitential exercises of the season, the liturgy focuses on joy, for Christ’s coming is now nearer than before. This is traditionally symbolized in the liturgy by returned use of the organ, decoration of the sanctuary with flowers, and wearing of the dalmatic by the deacon, just for one day. (The dalmatic itself is a symbol of joy, as the deacon prays, “Endow me, O Lord, with the garment of salvation, the vestment of joy...” as he puts it on.) But the most obvious symbol of the joy of the day is the color rose of the third candle of the Advent wreath and of the sacred vestments. Besides being a delightful color in itself, rose is one of the last colors seen in the sky before the sun rises. Thus, as we come closer to the great Solemnity of the Nativity of Our Lord and the dawning of our salvation, rose is a most appropriate sign and expression of our joy at His Advent.
- Fr. Derek Mobilio
Fr. Francis X. Weiser, S.J. explains in his book, Handbook of Christian Feasts and Customs, "The traditional symbolism of the Advent wreath reminds the faithful of the Old Testament, when humanity was 'sitting in the darkness and in the shadow of death' (Luke 2:79); when the prophets, illumined by God, announced the Redeemer; and when the hearts of men glowed with the desire for the Messiah. The wreath -- an ancient symbol of victory and glory -- symbolizes the 'fulfillment of time' in the coming of Christ and the glory of His birth." The Advent wreath is a devotional, which is to say that it provides, much like the Rosary, an opportunity for the faithful to encounter the living Christ according to their own particular needs and desires, (as opposed to liturgical prayer, which is the formal common expression of prayer for the faithful as one body.)
Thus, families are free to use the wreath in their homes as they wish to foster expectant love for Christ. Fr. Weiser explains one possible use of the wreath thus: "In the evening, the family gathers for a short religious exercise. Every Sunday of Advent one more candle is lit, until all four candles shed their cheerful light to announce the approaching birthday of the Lord. All other lights are extinguished in the room, and only the gentle glow of the live candles illuminates the darkness. After some prayers, which are recited for the grace of a good and holy preparation for Christmas, the family sings one of the traditional Advent hymns or a song in honor of Mary."
- Fr. Mobilio
In ages past, liturgical law required that unbleached (inon-white) candles be used during requiem Masses, Advent, Lent, and Holy Week. This liturgical law is no longer in force, but the use of unbleached candles during these times is still allowed in continuity with the venerable traditions of our Catholic faith. As Fr. Edwin Ryan wrote in his book Candles in the Roman Rite, unbleached candles are fitting to express sorrow or anticipation, "since the somber tones of unbleached wax harmonize with a mournful ceremony, while bleached wax, being far higher in the tone scale, would intrude a note of joy." Thus, unbleached candles add to the symbolic expression of Advent as a time of sober preparation for the joyful solemnities of Christmas. Unbleached candles also remind us of our need for penitential expectation for Christ's second coming at the end of time or at the end of our lives.
- Fr. Mobilio
After offering the bread and the wine, the priest bows low with his hands joined on the altar and says in a low voice, "With humble spirit and contrite heart may we be accepted by you, O Lord, and may our sacrifice in your sight this day be pleasing to you, Lord God." This prayer is taken from Daniel 3:39-40, in which Hananiah, Azariah, and Mishael pray to God from within the fiery furnace. The prayer reminds the priest that we have not deserved Christ's sacrifice for us, but yet, we are able to offer ourselves with Christ within the furnace of our own trials and sufferings.
Saint Robert Bellarmine commented on this prayer, "The priest does not doubt whether the sacrifice of the Mass will be pleasing to God in itself, or insofar as it was instituted by Christ, but he doubts his own interior dispositions. For this reason, he asks for humility and contrition, that he may so continue the sacrifice which he has begun that it may also please God insofar as he is offering it."
- Fr. Mobilio
When the priest or deacon adds a drop of water to the wine in the chalice, he prays in a low voice, “By the mystery of this water and wine may we come to share in the divinity of Christ who humbled himself to share in our humanity.” Water represents our humanity, and wine represent Christ’s divinity. Just as the water can no longer be separated from the wine, so too should our sacrifice be joined inseparably to Christ’s in the Mass. And just as the water takes on the color, taste, and flavor of the wine without ceasing to be water, so too should we become more like Christ while retaining our unique identities. From early on, this drop of water has been required for the Holy Sacrifice. Saint Cyprian, writing in the third century against Gnostic liturgical practices, affirmed, “When someone offers only wine, then Christ begins to exist without us. When he offers only water, then we begin to exist without Christ.” Traditionally, if any small drops of water end up on the wall of the chalice unmixed with the wine, then the priest or deacon should wipe those drops away with the purificator as a symbol of what happens to those who are baptized but refuse to advance in the spiritual life and union with the Lord.
- Fr. Mobilio
There is an old story about Abba Apollo, one of the great hermit monks known as the Desert Fathers. God forced Satan to show himself to Abba Apollo. "He looked ugly, with frighteningly thin limbs, but most strikingly, he had no knees." That is, the inability to kneel is the essence of the Devil, he who said once and for all time, "I will not serve." Thus, in kneeling during our prayer or during the Holy Mass, we do what Satan cannot: we humble ourselves before God. According to Saint Basil the Great, "Every time we fall upon our knees and rise from off them, we show by very deed that by our sin we fell down to earth, and by the loving kindness of our Creator were called back to heaven."
- Fr. Mobilio
To genuflect literally means "to bend the knee." A proper genuflection upon entering a church is done toward the Tabernacle without haste. The right knee should touch the ground and the adorer should maintain an upright
posture from the waist up. Traditionally, genuflections with the left knee were used to pay homage to emperors and kings. Thus, the right knee is reserved for God alone. Because the practice of genuflecting was not formally introduced to the liturgy until probably the sixteenth century, it is peculiar to the Roman Rite, as almost every other rite of Catholicism uses a profound bow of head and body as the supreme act of liturgical reverence.
Nevertheless, genuflections were gestures of popular piety before this time. Saint Thomas Aquinas, writing in the thirteenth century, said, "When we genuflect, we signify our weakness in comparison with God." He also wrote that such exterior acts of adoration are very important because in performing them with care, "we exhibit signs of humility in our bodies in order to incite our affections to submit to God."
- Fr. Mobilio
"A reading from the Second Letter of Saint Paul to Timothy." ... "The Word of the Lord." At first glance, these statements might appear to be contradictory. But we can properly speak of both Paul and God as authors of Second Timothy because of inspiration, which means that "to compose the sacred books, God chose certain men who, all the while He employed them in this task, made full use of their own faculties and powers so that, though he acted in them and by them, it was as true authors that they consigned to writing whatever He wanted written, and no more." (Dei Verbum 11)
The liturgical custom of the Church to name both the human and Divine authors in the Mass thus corresponds with and reaffirms our belief in inspiration. We should note that we use inspiration in a more strict sense than how we might say that a great artist or musical composer "was inspired" on a natural level to complete a work. God's inspiration of the sacred author worked supernaturally in three ways: by illuminating the author's intellect and reasoning, by moving the author's will, and by guiding the author's natural faculties such as imagination, memory, and literary judgment.
- Fr. Mobilio
Five crosses are carved on the surface of every altar to represent the five wounds of Christ. As Isaiah prophesied centuries before Christ, "He was pierced for our sins, crushed for our iniquity. He bore the punishment that makes us whole, by his wounds we were healed." (Isaiah 53:5) When an altar is consecrated, the bishop anoints the altar in five places with Sacred Chrism for the same reason. Some liturgical commentators also note that the five crosses represent the five feelings of pity that are necessary for the faithful: (1) pity for Christ as we contemplate the Passion, (2) pity for our neighbors when we see their sufferings, (3) pity for our sins of commission, (4) pity for our sins of omission, and (5) pity for our good deeds done with less pure motives.
- Fr. Mobilio
Candles used in divine worship should be at least 51% beeswax. Beeswax has been used from ancient times not only for its pleasant smell, but also because it is produced by working bees who do not reproduce and who are thus symbols of virginity and purity. This tradition is celebrated in the Exultet of the Easter Vigil, in which is sung, "On this, your night of grace, O holy Father, accept this candle, a solemn offering, the work of bees and of your servants’ hands..." The pure wax produced by virgin bees thus symbolizes the Body of Jesus Christ born of the Virgin Mary.
The wick symbolizes the Soul of Jesus and the flame represents His Divinity, which absorbs and dominates both His Body and Soul. If the Easter Candle represents Christ the true Light most completely, then wax candles at the altar stand for individual Christians whose goal is to imitate Christ unto others. Even though beeswax candles are more expensive than refillable oil candles, in principle, we ought to offer what is best to God in our worship. Also, more than any refillable cartridge can, the wax candle represents that Christ had to suffer and die in the flesh in order "to break the bonds of death and manifest the Resurrection."
- Fr. Mobilio
At his ordination, deacons are instructed by the bishop: "Receive the Gospel of Christ, whose herald you now are. Believe what you read, teach what you believe, and practice what you teach.” Before proceeding to the ambo to read the Gospel, the deacon makes a profound bow before the priest and asks for this blessing, saying in a low voice: "Your blessing, Father." The priest blesses him in a low voice: "May the Lord be in your heart and on your lips, that you may proclaim His Gospel worthily and well, in the name of the Father, and of the Son, and of the Holy Spirit." The deacon signs himself with the sign of the cross and responds: "Amen."
Why does this happen? Primarily, this blessing is one of the many marks which sets the Gospel apart from the rest of the Liturgy of the Word. The Gospel is the climax of the Liturgy of the Word and in which Our Lord speaks directly to us as Bridegroom to His bride. Thus, the cleric who reads it must be prepared to do so with the help of God's blessing. We should note that the prayer the priest prays over the deacon is just about the same prayer he would pray for himself before reading the Gospel in the absence of the deacon. The prayer finds its Scriptural foundation in Isaiah 6, where the prophet acknowledges that he is "a man of unclean lips, living among a people of unclean lips..." In response to Isaiah, "one of the seraphim flew to [him], holding an ember which he had taken with tongs from the altar and touched [his] mouth with it, saying, 'See, now that this has touched your lips, your wickedness is removed, your sin purged.'"
- Fr. Mobilio
When the priest prays the collect with hands extended, he assumes what is known as the orans position. Orans means "praying" in Latin. The orans posture is symbolic of the priest praying on behalf of the people as he stands in the person of Christ. Thus, it is a gesture that is reserved to the priest in the Holy Mass, as he "collects" the intentions of the people and presents them to the Father. The gesture is not original to Christianity, as it is seen in pagan rituals of old. For Christians, the gesture originally might have evoked the image of Christ's extended hands on the Cross, as we pray in one of the prefaces, "He stretched out his hands so as to break the bonds of death and manifest the Resurrection."
Over time, the characteristic sobriety of the Roman Rite prescribed that the priest's hands be extended without exceeding the height or width of the shoulders and with palms facing inward, although this is not strictly demanded of the priest today. The Ambrosian Rite and the Dominican Rite still preserve the tradition of extending the hands widely in the form of the crucifixion. In Scripture, we find the gesture in Exodus 17 as Moses extends and raises his hands during the battle against Amalek. The Psalms, Isaiah 1:15, and 1 Timothy 2:8 also mention extended or raised hands in prayer. The gesture is also depicted in paintings in the catacombs of the third century, which show the gesture being used outside the Mass by lay-persons.
- Fr. Mobilio
What’s the good of saying “Let us pray” when we are already praying? The Mass began a few minutes ago, so what is the priest doing when he invites the people to pray? Well, firstly, to speak directly to the assembled people is an act of graciousness that the Church demands of the priest, so that he remembers that he is praying on behalf of the gathered people. This was perhaps a more obvious need when the priest faced the same direction as the people (ad Deum, “toward God”) for most of the Mass, (which, we should note, was not outlawed by the liturgical reforms of the Second Vatican Council.) Nevertheless, since the priest’s eyes might still be downcast so that he is not distracted during prayer by looking out directly at the people during the Confiteor and the Gloria, this is certainly still a good reminder for him that with the Collect, he is about to offer a priestly prayer as a mediator between the people and God.
Secondly, if we are honest with ourselves, “Let us pray” is also for those whose minds might have wandered during the Gloria, perhaps because we found the melody too meandering or the tempo too slow, or perhaps because we too were looking at the people around us a bit too much. If we find ourselves liable to distraction at Mass, then “Let us pray” is the wake-up call to tell us the Collect is coming — a very important prayer which can set the tone for the entire
Mass, indicating how we are to listen to the Word of God and how we are to direct our personal prayers the rest of the way.
- Fr. Mobilio
After all the groveling we have done in asking God’s mercy in the Confiteor and in the repetition of Kyrie eleison (Lord, have mercy), it is fitting that we lighten the mood, so to speak, with the great doxology, the Gloria (Glory to God). This hymn begins with the words of the angels announcing the birth of Jesus Christ to the shepherds in the fields, “Glory to God in the highest, and on earth, peace to people of good will.” As Blessed Hyacinth Cormier, O.P. wrote, the rest of this hymn is not a “logical progression of ideas” but rather, “an impulsive succession of acclamations and words of praise that spring forth from the soul.”
When we recite or sing the Gloria, we ought to recall that our human nature has been raised to something altogether higher ever since Our Lord took our human nature upon Himself. Thus, when we unite our prayers to His, despite all of our weakness, our prayers can come worthily before God the Father. This leaves us in a good posture before the Collect, in which the collective prayer of the people is offered to God by the priest.
- Fr. Mobilio
The Book of Proverbs says, “The just is the first accuser of himself.” (18:17) Thus, we begin the Holy Mass with the Confiteor, (“I confess…”) as an acknowledgment of our sins so that we celebrate the sacred mysteries from a posture of humility. The prayer’s essential structure and placement in the Holy Mass dates back to at least the 11th century. The prayer itself dates to at least the 7th century, as forms of it appear in preparations for the Sacrament of Reconciliation and as a prayer for the priest to pray in the sacristy before offering the Holy Sacrifice.
When we strike our breasts thrice during the prayer, we do so in imitation of the publican who stood before the Temple saying, “O God, be merciful to me, a sinner,” in Luke 18:13. We strike our breasts thrice for the three types of sins we commit: in thought, word, and deed, (with sins of omission included as sins of deed.) Even thought we do not often think about where our eyes look during Mass, traditionally, the eyes are downcast during the Confiteor. This is to symbolize that we should not presume the mercy of God and to acknowledge, as we are reminded every Ash Wednesday, that we are dust and to dust we shall return.
- Fr. Mobilio
"Another angel came and stood at the altar, holding a gold censer. He was given a great quantity of incense to offer, along with the prayers of all the holy ones, on the gold altar that was before the throne. The smoke of the incense along with the prayers of the holy ones went up before God from the hand of the angel." (Revelation 8:3-4) The Church takes this passage from John's vision of the heavenly liturgy in the Book of Revelation as the Scriptural foundation for the use of incense in the Holy Mass and in Eucharistic Adoration. The incense principally represents the prayers of the faithful gathered at the Holy Sacrifice rising up to God, as King David prayed in Psalm 141: "Lord, I call to you... Let my prayer be as incense before you..."
This notion is echoed in the prayer traditionally prayed by the priest as he incenses the offerings during the Mass: "May this incense blessed by You, arise before You, O Lord, and may Your mercy come down upon us." The word "incense" is from the Latin "incendere," which means "to set on fire" as in a sacrifice. That is, burning incense is sacrificial, because incense is not cheap. Remember that incense (frankincense) was one of the precious gifts offered to the Infant Jesus by the Magi. We offer it to God as a sweet-smelling oblation in His presence, recognizing that we should always offer our best things to God, and that we should not merely give to God from our excess, but from a posture of true sacrifice.
- Fr. Derek Mobilio
The priest's stole is the preeminent sign of the priest's authority to administer the sacraments in the person of Christ, which is a pure gift from God given to him at his ordination. When he puts the stole on, he prays, "Lord, restore the stole of immortality, which I lost through the collusion of our first parents, and, unworthy as I am to approach Thy sacred mysteries, may I yet gain eternal joy." Although the practice of crossing the stole over the priest's chest so that it makes the shape of Saint Andrew's Cross has fallen out of widespread practice in recent times, the priest may still choose to vest in this way. The priest who wears his stole this way is reminded that he must carry his cross and the many intentions and needs of those souls under his priestly care to the Altar of God and the Holy Sacrifice of the Mass.
As the priest puts on the chasuble, he prays, "O Lord, who has said, ‘My yoke is sweet and My burden light,’ grant that I may so carry it as to merit Thy grace." Thus, lest the priest think he must carry all these intentions of so many people to the altar on his own, he is reminded that he does all things by the grace and charity of God as he puts on the chasuble, which is the symbol of priestly charity. The chasuble is two-sided, representing the two sides of perfect charity, love of God and love of neighbor. It is
worth noting that, even with some styles of vestments made this way in the last half-century, the stole is never to be worn over the chasuble, since the priest should never cover his charity with authority, but quite the opposite. The chasuble is worn over all other vestments because charity is the highest virtue.
- Fr. Derek Mobilio
The cincture is the cord worn around the waist by the priest. Its practical purpose is to gather in the loose-fitting alb, so that the alb does not impede the movements of the priest. The cincture's symbolic meaning is more significant, however, as it represents the virtue of chastity. When the priest ties the cincture about his waist, he prays, "Lord, gird me with the cincture of purity and extinguish my fleshly desires, that the virtue of continence and chastity may abide within me." Chastity is a virtue for all people in all states of life, of course, but for the celibate priest, this virtue takes on a special character.
According to the Rite of Ordination to the Transitional Diaconate, chaste celibacy is “at the same time a sign and a stimulus for pastoral charity and a special source of spiritual fecundity in the world." Priests thus “adhere to Christ more easily with an undivided heart, dedicate themselves more freely in him and through him to the service of God and men, and more expeditiously minister to his Kingdom and the work of heavenly regeneration, and thus they are apt to accept, in a broad sense, paternity in Christ.” (Presbyterorum Ordinis, 16).
Thus, the call to celibate priesthood is a grace to live out spiritual fatherhood with the entirety of one’s being, such that the priest shares in the generative power of Christ in the order of grace. In forgoing the use of their physical generative powers, priests channel the whole of their virility into spiritual generation in union with Christ as his instrument in time. The cincture is thus both a sign of this commitment to spiritual paternity and a means for the priest to beg daily for the renewal of the grace to be chaste.
- Fr. Derek Mobilio
When the Roman tribune Pompey visited Solomon's Temple in the first century before Christ, he pulled aside sanctuary, which was an act of great scandal to the Levites. Upon seeing nothing behind the veil, Pompey reacted with a great sense of triumph, thinking that he had debunked the Jewish faith with one swipe of his arm. But he had not accomplished that, of course, for everyone knew that there was nothing really to see behind the veil of the Temple. The veil to the Temple did not hide anything. Instead, it revealed the sanctity of the sanctuary.
Just the same, everyone knows what a chalice looks like, and so the point of the chalice veil is not to hide the chalice, but rather, to reveal what the chalice is: the sacred vessel which holds the Precious Blood of Christ and thus acts as a miniature tabernacle. Simply stated, we veil what is holy to reveal its holiness, and not to hide it. The veiled chalice also represents the clothed Christ, and so, the unveiling of the chalice before the offering of the Sacrifice of the Mass represents when Christ was stripped of His garments before His Sacrifice on Calvary. When we think along these lines, we discover many more veils. Indeed, even the
Sacred Host is a veil, since by appearance alone it looks like mere bread, and so veils what it really is: a visible sign revealing an invisible beauty.
- Fr. Derek Mobilio
"The Lord be with you" is an ancient devout greeting, first seen in the Bible in Ruth 2:4, when Boaz goes out from Bethlehem to greet the reapers. We can also see the greeting in Judges 6:12, 2 Chronicles 15:2, and, very notably, in Gabriel's salutation to Our Lady in Luke 1:28. The liturgical use of this greeting likely dates back to Apostolic times.
It most certainly dates back at least to the sixth century, as mention of it is made by the Council of Braga in 563, and it also appears in the Gelasian Sacramentary of the same era. When the priest says these words to the people, he wishes them every grace that the presence of God brings. In such a short phrase, the prayer powerfully begs divine protection and the possession of all spiritual peace and consolation for the people as they enter into the liturgy, or, as they prepare to receive the priest's blessing. With the response, "And with your spirit," the people implore that the soul of the priest be filled by God so that he can offer the Holy Sacrifice of the Mass worthily. This response is taken from Saint Paul in 2 Timothy 4:22, Galatians 6:18, and Philippians 4:23.
- Fr. Derek Mobilio
The Mass begins as all of our Christian prayer begins: with the Sign of the Cross. We make the sign so often that we sometimes forget how profound it is. Even a toddler can do it, affirming the deepest truth of the Trinitarian faith of our baptism: God is one divine substance in three persons. Thus, we say “In the name...” not “In the names...”
Beginning Mass in this way is most appropriate, since as the Catechism teaches in paragraph 1082, the liturgy is the work of the Trinity. “In the liturgy, the Father is acknowledged and adored as the source and the end of all the blessings of creation and salvation. In his Word who became incarnate, died, and rose for us, he fills us with his blessings. Through his Word, he pours into our hearts the Gift that contains all gifts, the Holy Spirit.”
- Fr. Derek Mobilio
What is the meaning of incense at Offertory?
With its sweet-smelling perfume and high-ascending smoke, incense both symbolizes and encourages good Christian prayer, which is enkindled in the heart by the fire of God's love and gives off the sweet odor of Christ, rising up as pleasing offering in His sight.
When the priest incenses the gifts during the offertory, he traditionally prays, “May this incense, blessed by You, ascend to You, O Lord, and may Your Mercy descend upon us.”
Fr. Derek Mobilio
When the priest reverences (kisses) the altar as he enters the sanctuary, it is a mark of veneration for the saints, because within every altar relics of the saints (usually martyrs) are reposed. The altar stone, therefore, is a sort of keyhole through which we get a glimpse into the whole of our Christian past, recalling that in the early days, to celebrate Mass, the faithful of Rome gathered in the tombs where they reposed the mangled
bodies of the martyrs.
Thus, the kiss is much more a sign of reverence for Jesus Christ, because the martyrs died for Him, and because the altar, whether it is in the catacombs of Rome in 122 A.D., or here in 2022 A.D., is the place where His perfect sacrifice is to be presented again for the living and the dead. In this moment, the priest may also personally remember that as his lips touch the coldness of the altar, he too, as another Christ, must love even the coldest hearts of his parish with the same love.
Fr. Derek Mobilio